
I am loving the new RWA
Women's Fiction chapter. What a bunch of fabulous, seasoned, accomplished, published, women writers. Some compare being published in mainstream fiction as acquiring a doctorate, with
at least 10 years of writing experience before you get there, and many of these women have 20-30 plus years of experience as published authors. No wonder I feel like the new kid on the block.
What great role models. Iyanla on the TV show
Starting Over used to say that every woman needs a wise woman to go to. And in our chapter, we have the most fabulous wise woman of all - Barbara Samuel O'Neil aka Barbara Samuel - that is Anais Nin -
not Barbara in pic. :)
Barbara Samuel is the author of my favorite WF novel of all time -
Lady Lucky's Map of Vegas. As I read it, I was screaming inside, "Yes, yes, yes, this is like what I write." I can only aspire to write it as well as Barbara does. And what is the Women's Fiction chapter? As it says on our chapter web site:
The RWA-Women’s Fiction chapter was created to support women’s fiction writers whose work is romance-friendly.
My writing has always crossed the line between women's fiction, romance, and chick lit. I used to describe my writing as "Women's fiction with a chick lit attitude." My web site's subtitle is "Floating between romance and women's fiction..." because that's exactly where I am.
I've tried writing straight romance, but it ends up getting rejected because it's too "women's fiction." I try deleting those sections that make it WF, but don't quite have the heart to because it's so important to any story, I think. I want more than couples frolicking in bed - I want the woman to have a story behind why she can't commit or some other issue she's dealing with.
The publishing world seems to be changing on a daily basis, but there's one thing I can grab onto as a life raft in the middle of turbulent waters - "just focus on writing women's fiction." And I'm enjoying the support of a professional writing organization. There's been much criticism of RWA's approach to e-publishing, but like any professional writing organization, they're looking out for their members' best interests. And if they can be convinced that most writers can earn a decent living writing for e-pubs, then I'm sure they would be happy to recommend them.
Just as the Society for Technical Communication (STC) supports technical writers in creating a professional environment when it comes to pay, working conditions, and opportunities for my profession, so does the Romance Writers of America (RWA) when it comes to the many subgenres of women's fiction/romance.
In the end, we all choose which opportunities we will seek and accept and the organization is there to offer recommendations and guidelines. But the most important part for us is the writing. And, as professionals, we deserve to be paid for it. But we have to fight for that because our culture doesn't value writing.
And now I'll share a couple of quotes by Anais Nin (pictured above), who I often find quite inspiring:
If you do not breathe through writing, if you do not cry out in writing, or sing in writing, then don't write, because our culture has no use for it.
My ideas usually come not at my desk writing but in the midst of living.
The role of a writer is not to say what we all can say, but what we are unable to say.